Friday, March 8, 2019

Liubov Popova Essay

Liubov Popova sinless The Pianist in 1915. Through a combination of styles Popova created this word-painting employ Cubo-Futurism, a synthetic style painting developed in Russia close to 1910 (Boguslawski). She displays great poise by painting a large newspaper based on an abstract pattern of arched and straight planes.This is a representational composition of a pianist, piano keys, and sheet music. This painting, with its modern essence, catches the embodied application of art and technology to the subject area of music. As an abstract painting of a pianist, Popova changed the natural features in order to emphasize and reveal true aspects of the performer.The round of visual elements in this painting recalls continuity and flow that leads the eye in a left-to-right direction. Fluid, curving lines cut through the angled shapes suggesting deed across the keyboard. The patterned, recurring alternations of contrasting organic and inorganic shapes create rhythm and time suggest ing beat of the music the pianist is playing. The painting is composed to give a dynamic rhythm that gives it an uncharacteristic kind of unity. The space surrounded by the lines, forming shadows, gives three dimensional mass to the painting.The arrangement of this painting gives an almost up beat feeling yet the cool colors create a calming effect and offer comfort. Further, drama arises from the relationship of black and sporting tones and the textually rich surface she creates. One problem that arises while trying to study this paintings emotional power is that the emotional content of music is very internal and the emotion created is dependent on the individual viewer.

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